Power & Virtue Architecture and Intellectual Change in England 1660–1730 Li Shiqiao Landscapes of Taste The Art of Humphry Repton’s Red Books André Rogger The Picturesque Architecture, Disgust and Other Irregularities John Macarthur The Florentine Villa Architecture History Society Grazia Gobbi Sica Architecture, Print Culture and the Public Sphere in Eighteenth Century France Richard Wittman Festival Architecture Edited by Sarah Bonnemaison and Christine Macy The City Rehearsed The Architectural Worlds of Hans Vredeman de Vries Christopher Heuer Architecture, the City, and the Public in Eighteenth Century France a Reader Edited by Richard WittmanĮdited by Sarah Bonnemaison and Christine Macyįirst published 2008 By Routledge 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN Simultaneously published in the USA and Canada by Routledge 270 Madison Ave, New York, NY 10016 Routledge is an imprint of the Taylor & Francis Group, an informa business
#A VICTORY MARCH EXEMPLERY ORCHESTRA OF THE USSR SERIES#
The series will deal with classicism as a cultural phenomenon, a formal language of design, but also with its role in establishing the agenda, method and grammar of inquiry in Western history of art and architecture and recent reconsiderations of these roles. It aims to publish first-class and groundbreaking scholarship that re-examines, reinterprets or revalues the classical tradition in the widest sense. This series provides a forum for its interdisciplinary study, from antiquity to the present day. The Classical Tradition in Architecture Series Editor: Caroline van Eck Leiden University, NetherlandsĬlassical architecture not only provided a repertoire of forms and building types capable of endless transformation it was also a cultural actor and provided cultural capital, and was used to create political and religious identities. They teach design and architectural history at Dalhousie University in Canada. Their book Architecture and Nature: Creating the American Landscape (Routledge 2003) won the 2005 Alice Davis Hitchcock Prize from the Society of Architectural Historians. Sarah Bonnemaison and Christine Macy have been involved in festival architecture since 1987, designing, lecturing and writing about it. With contributions by architectural historians specializing in this area, Festival Architecture will appeal to all students and researchers interested in the traditions of festival architecture and the legacies remaining for this exciting branch of architecture and urban design. The wealth of illustrations in this book opens a window on to the enduring architectural meaning and importance of festivals in European cities. From coronations to consecrations, and carnivals to world expositions, festival architecture brought vivid color and sensory delight to the cities of the past. Arranged in historical periods from antiquity to the modern era, the analyses of specific festivals are set in relation to contemporary ideas and theories in architecture and urban design. Festival architecture, throughout the ages, has allowed architects to experiment with new ideas, new forms and new spatial arrangements. This book focuses on the ephemeral architecture built for festivals, investigating how these constructions played a role in the development of Western architectural and urban theory.
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